Special Collections & Archives Blog

In the 'Digital Projects' Category...

Early Issues of The Wake Forest Student now on DigitalNC

Tuesday, September 23, 2014 4:51 pm

wakeforeststuden01wake-0005

We are happy to announce that the first ten years of The Wake Forest Student is now available as a digital collection via DigitalNC. Begun in 1882 by the Euzelian Society, The Wake Forest Student is a fascinating slice of Wake Forest history. Read more about the DigitalNC project in the Digital North Carolina Blog.

We plan on continuing to work with DigitalNC to have all of the issues digitized in the coming months.

Joseph Severn Watercolors

Wednesday, September 17, 2014 10:15 am

The recently completed Joseph Severn Watercolors digital collection is a beautiful addition to ZSR’s online content as well as another chapter in the story of these materials. Prompted by a researcher and Severn scholar, we have been researching the provenance of the three pencil and watercolor images and have come up with some surprising and entertaining results.

Joseph Severn (1793-1879) was an English portrait and subject artist, working primarily in Rome, Italy. A selection of his paintings can be found today in the National Portrait Gallery, the Tate Britain, and the Victoria and Albert Museum. More notably for our story, Joseph Severn was a personal friend of famous English Poet John Keats. As Keats’ doctors suggested he leave England for a warmer climate, Severn was the only of his group of acquaintances that could, or would, accompany him. Keats and Severn set sail for Rome on the Maria Crowther September 17, 1820, finally arriving in Rome mid-November, 1820. Severn lived with and nursed Keats until his death February 23, 1821. Presumably, it was aboard the Maria Crowther that Joseph Severn produced the watercolors in Special Collections and Archives holdings. Two of the three images have handwritten notations in pencil, including that these were “done on the way to Italy with Keats.” It was this clue that pushed them to the top of our digitization queue, as these materials are both unique and high in research value.

"Sandwich Bay Dorsetshire - These and previous ones done on the way to Italy with Keats"

“Sandwich Bay Dorsetshire – These and previous ones done on the way to Italy with Keats”

The only hint of provenance is a barely legible pencil notation on the back of the mounting paper that reads “Given to Maureen Watson by Arthur Severn[RJ?] son of Joseph Severn (Keats [?]) 19[2?]3″. As our researcher prompted more questions on how this came into our holdings, and who Maureen Watson was, we turned to the Lady Watson Materials series in the Charles Lee Smith finding aid. It was by looking through the Lady Watson materials that we worked backwards to see how Wake Forest acquired the Joseph Severn watercolors.

Lady Maureen Watson, wife of noted British poet Sir William Watson (1892-1935) befriended Charles Lee Smith, Wake Forest College alumnus and rare book benefactor, after she and her daughters fled Ireland to South Africa and then to Asheville, NC in fear of Hitler’s invasion. Charles Lee Smith, a successful businessman and collector of rare books and manuscripts, read of her arrival in Asheville in the Raleigh News and Observer. It was this article that prompted Charles Lee Smith to write Lady Watson a June 10, 1940 letter describing their “accidental meeting about the first of July, 1927.” He continues:

Together with my son and one of his university classmates, I was spending some days at the resorts of the English Lakes. On the day in question, we were on a tramcar en route to take a lake boat when two ladies entered the car and the boys gave them their seats. A lady in the seat behind mine said, “That was beautiful”, and I turned and thanked her for the compliment paid my boys – that lady happened to be you. You remarked that it was not customary in England for men to give women their seats. Then you added, “But in Ireland they do, and I am an Irish girl”.

The letter goes on and so does the correspondence between Lady Watson and Charles Lee Smith. It seemed that they formed a close relationship. Lady Watson eventually visited Charles Lee Smith and his wife in Raleigh. Impressed by his collection of rare and unique books and manuscripts, Lady Watson wrote a November 4th, 1940 letter to Charles Lee Smith offering him some of her prized materials.

For the last few hours – I have gathered together the enclos [sic] oddments – some of them interesting – a very few precious (to me) and am greatly daring – considering my intimacy with your English collection of literary treasures is so small – in asking that you accept them to place in such good company, posterity, will perhaps make a call for all that pertains to my much loved Poet so that even oddments may have a special value. – I am also enclosing letters which bear upon his M.S.S. and where – in these days of TERROR they are in safe keeping – for all Englands [sic] future may (and probably will) lie in this Western Hemisphere

Enclosed with this letter is a list of materials Lady Watson intended to give to Smith, including “sketches by Joseph Severn while taking Keats to Rome.” It seems as if Lady Watson was somehow acquainted with Arthur Severn, son of Joseph Severn. Included in the Charles Lee Smith papers “Lady Watson Materials” is an essay titled “The Arthur Severns’” that is referenced in the same November 4th, 1940 letter.

The short memo by myself on the Severns I thought I would publish one day in the far off future if interest in these things revives – it cast light on a few obscure things – and as we so often stay in the same house as the Severns who inherited the the Ruskin traditions and wealth – it is first hand knowledge…

It is with this letter and supporting “memo” that we find the connection between both the Severn watercolors and Charles Lee Smith, but more importantly the vague mention of a relationship between Lady Watson and Arthur Severn. The implication that they were acquainted is supported by another document in the Charles Lee Smith papers. In a single undated manuscript letter to the Editor of the Times, Joseph Severn’s son Arthur writes a story he conveyed at the opening of the Keats House at Hampstead. It is this same manuscript that includes a quick note written in pencil that reads “Written by Arthur Severn RJ. Given to MW 1925.” This and a photograph of “Mrs. Severn in Brantwood Garden, Coniston” further supports a relationship between Arthur Severn and Lady Watson and another exchange of material from Severn to Watson.

Unfortunately, documentation of how and when Lady Watson received the watercolors does not exist in our holdings. As Lady Watson left Ireland in fear of Hitler’s eventual occupation of Europe, first traveling to South Africa and later on to Asheville, North Carolina, one might assume that she did not have time, money, or resources to bring all of her papers with her on relocation. Lady Watson’s husband died with very little money, leaving Lady Watson with little means probably limiting her ability to keep all of her belongings. A Raleigh News and Observer clipping from June 9, 1940 sheds a bit more light on Lady Watson and her daughters’ departure from Ireland and eventual settling in Asheville, North Carolina.

Geraldine disappeared to make coffee while Rhona reiterated her mother’s belief that Hitler will conquer not only Britain but the whole of Europe, that the continent will henceforth be known as Germania and that the United States will be the only safe place in the world. Lady Watson further believes that Hitler will be satisfied with South Africa, and will not invade our shores. For three years in Capetown, South Africa, Lady Watson gave English lessons to German refugees, where her brother is aide to General Jan Christiaan Smuts, vice-premier of South Africa.

It is the same article that describes Sir William Watson’s hardships and eventual death in August 1935 in “near-poverty in a Sussex nursing home.” Sir William and Lady Watson’s daughters explain to the journalist their desire to make good coffee as “We must have money. We’re going to open a pie and coffee shop.” It is with this in mind that we consider the later November 4th letter offering Charles Lee Smith some of her materials for safe keeping.

Had Lady Watson held onto the Severn watercolors, it is probable that they would not have survived. A very rushed and brief postcard dated March 15, 1943 reports bad news for Lady Watson.

All our possessions burned out in 7 minutes we are pulverized in mind but it’s only onward. ____ We can go! Our love to both- Maureen Watson and Geraldine.

Luckily, the Joseph Severn Watercolors were not among Lady Watson’s possessions destroyed in the fire. Charles Lee Smith had already taken possession of these materials and was in the process of donating all of his materials to a “reputable institution.” Although Lady Watson did not know what the institution was, we now know he was speaking of Wake Forest College. In a February 3, 1942 letter to Lady Watson, Charles Lee Smith writes:

Cora and I were glad to receive your January letter concerning the Sir William Watson items, etc. which you gave me for my collection. I assure you that members of your family and all others who have proper credentials shall have access to them for all time.

Now I have a secret to confide you. I have legally donated my library and collection of letters, documents, and manuscripts to an important educational institution, which will place them in a room (suitably and finely furnished) of its fire-proof library building, to be kept perpetually as the Charles Lee Smith Unit, no item to be sold, exchanged, or given away…

I am not at liberty to say any more about this matter now, and I am confident you will personally hold in strictest confidence what I am making known to you.

Although C.L. Smith began negotiations to donate his library to Wake Forest in 1941, the presentation of the Charles Lee Smith Library did not take place until March 13, 1958. Unfortunately, Charles Lee Smith died in 1951, but did work with E.E. Folk on A Catalogue of the Library of Charles Lee Smith, published by the Wake Forest College Press in 1950.

The Joseph Severn Watercolors are a wonderful example of the exciting and unique materials in our manuscript collections. We are especially pleased that they have been digitized and available online for patrons to view and study. Enjoy!

30 Years of Performing Arts: The Secrest Artists Series at Wake Forest University, 1983–2013

Wednesday, September 10, 2014 2:35 pm

The following is a guest post by Corrine Luthy, a graduate intern with Wake Forest University’s Special Collections & Archives.

2006-2007 Season Mailing

2006–2007 Season Mailing

During the week of the first Secrest Artists Series event of the 2014–2015 season, Special Collections & Archives is pleased to announced the online exhibit 30 Years of Performing Arts: The Secrest Artists Series at Wake Forest Univeristy, 1983–2013.

Explore the exhibit ›

This exhibit aims to capture the spirit of the Secrest Artists Series mission from 1983 to 2013, showcasing not only the talent that has graced the campus, but also the dedication of many different university departments that collaborate to make Secrest performances multifaceted affairs. The Secrest Artists Series has been a mainstay in the cultural education of Wake Forest University students for decades. Its mission has been to bring premier established and up-and-coming performing artists to the university and to expand their involvement beyond the performance events. Artists guide master classes, lectures, and participate in the larger Wake Forest and Winston-Salem communities.

Included in the exhibit are items of visual interest such as event programs, articles from student newspaper the Old Gold & Black, invitations to artist receptions, mailed season schedules, and pocket schedules that illustrate the graphic themes for each season. These represent just a small selection of items from the Secrest Artists Series collection—the working files of Lillian Shelton, whose career with the Secrest Artists Series spanned nearly the entire 30 years. Shelton retired as the director of the series in 2013, and the files are now housed in ZSR’s Special Collections & Archives.

On a personal note, as the curator of the online exhibit my goal was to tell the Secrest “story” as succinctly as possible. When I began the process of selecting items to include in the digital exhibit, I was so concerned with telling the whole story that I had trouble narrowing down what items to include; I listed just about every item I feasibly could in each of the first few folders. But as I continued to work my way folder by folder through the collection, I realized that certain items summarized the mission and vision of the Secrest Artists Series quite nicely on their own.

Although it was still difficult at times not to include everything, I had the advantage of seeing, for example, how the programs for each performance were reflections of the artists and the series itself. They provide photographs, biographical information, and the performance’s context within the Secrest Series. In many cases, as with the Philadelphia Dance Company, programs have an additional element of interest by being signed by the artists.

2002 Philadanco Signed Event Program

2002 Philadanco Signed Event Program

I also saw how the artists’ reach in the university and Winston-Salem communities often extended beyond just their performances. Other events include masterclasses, lectures, fundraising efforts, and artists lunches and receptions, like one following the 1993 performance of the Moscow Virtuosi.

1993 Moscow Virtuosi Reception Invitation (1 of 2)

1993 Moscow Virtuosi Reception Invitation (1 of 2)

1993 Moscow Virtuosi Reception Invitation (2 of 2)

1993 Moscow Virtuosi Reception Invitation (2 of 2)

I was also intrigued by the care taken to ensure the visual elements of each season were incorporated across different printed items. Often, these were a reflection of the WFU Communications and External Relations team’s graphic design, as with this mailing from the 2002–2003 season announcing the upcoming year’s schedule to Secrest supporters.

2002–2003 Season Mailing

2002–2003 Season Mailing

Each season has its own graphic theme, like this fuchsia spread from the 1989–1990 season mailing.

1989–1990 Season Mailing

1989–1990 Season Mailing

I encourage you to explore the online exhibit 30 Years of Performing Arts to learn or reminisce about the past 30 years of the Secrest Artists Series, particularly the vast amount of information and graphic arts work that goes into preparing for a performance season. Included in the exhibit are programs, season mailings and schedules, promotional fliers, and other visually interesting items. I hope you enjoy this digital representation of a pillar of the university’s culture!

One State, Many Faiths: The Religion in North Carolina Digital Collection Project

Thursday, June 5, 2014 2:11 pm

programannualses1015woma_0017

Image from the Religion in North Carolina digital collection https://archive.org/details/ncreligion

ZSR Special Collections & Archives is pleased to report that the Religion in North Carolina Digital Collection project has received LSTA funding  for its third year. Wake Forest’s ZSR Library has partnered with Duke Divinity School and the North Carolina Collection at UNC-Chapel Hill for this project, which seeks to provide digital access to primary source materials from all religious groups in North Carolina.

Federal funding from the Institute of Museum and Library Services has enabled the three partner institutions to collect and digitize nearly 800,000 pages during the first two years of the grant project. A large percentage of this material is drawn from the collections at Duke, Wake Forest, and UNC, but the digital collection also includes substantial contributions from over 200 other libraries and archives throughout North Carolina.

The collection includes a wide array of publications, from sermons and meeting minutes to camp hymnals and cookbooks. Religious bodies with long histories in North Carolina are well represented in the collection. But the project staff has also made it a priority to solicit materials from many underrepresented religious groups. The result is a wide-ranging collection that will serve as an important resource for anyone with an interest in the cultural history of the state.

In this third and final year the project’s emphasis will shift to education and outreach initiatives. Duke Divinity School Ph.D. candidate Ken Woo has been hired as the project’s doctoral fellow for research and education. Ken will be making contact with schools, religious institutions, and community groups throughout the state to give presentations and solicit feedback on the project’s digital resources. Here at ZSR, the Special Collections and Archives department has hired WFU Divinity School student Monique Swaby in a grant-funded summer position. Monique is working to identify potentially interested groups at Wake Forest and throughout the regional community. Monique will also begin the process of developing educational applications for the Religion in NC digital collections, using the primary sources to create narratives that will connect students and researchers to the state’s diverse and fascinating religious heritage. Check this blog later in the summer for Monique’s updates!

For more information about the Religion in NC project, please contact Special Collections & Archives. We welcome questions and input, especially from individuals or groups who would like to take part in our outreach initiatives.

Alexander’s feast; or, The power of musick (1750)

Wednesday, March 19, 2014 5:39 pm

The following is a joint post by Megan Mulder (Special Collections Librarian) and Chelcie Rowell (Digital Initiatives Librarian).

History of Alexander’s Feast

The 18th century edition of Handel’s Alexander’s Feast has one of the most interesting provenances of any book in Z. Smith Reynolds Library’s Special Collections department.

Title page of Alexander's feast

Title page of Alexander’s Feast with Felix Mendelssohn’s signature.

The work is based on an ode in commemoration of St. Cecilia’s day by English poet John Dryden (1631-1700). Dryden’s “Alexander’s Feast” tells a story from the life of Alexander the Great, in which the conqueror and his soldiers enjoy a drunken feast in celebration of their victory over the king of Persia. The bard Timotheus provides entertainment, and his poetic and musical skill inspire Alexander and his men to a frenzy of revenge against the conquered city of Persepolis. Dryden’s poem is more cautionary than celebratory, as the “power of music” is used for morally questionable ends.

Nonetheless, Dryden’s poem was a great critical success when it was first published in 1697, and it was apparently still popular enough nearly 40 years later for George Frideric Handel (1685- 1759) to choose it as the inspiration for a new musical work. Handel’s Alexander’s Feast was well received at its 1736 London premiere and was performed many more times during the 18th century. Published versions of Handel’s score began to appear shortly after its first performance.

Wake Forest’s copy of Alexander’s Feast was likely published around 1750. Its first recorded owner was William Hawes (1785–1846) an English musician who eventually became master of choristers at St. Paul’s Cathedral.

At some point the book made its way to a Stuttgart bookseller and was purchased by the famous German composer Felix Mendelssohn (1809–1847). Mendelssohn signed the front endpaper and the title page, and he also annotated many pages of the score. The notes may well have been for a performance at the Aachen music festival in 1846, which featured an appearance by the famous singer Jenny Lind.

After Mendelssohn’s death in 1847, the book’s provenance again becomes murky. But it was, at any rate, purchased from a rare books dealer in 1958 for the Wake Forest University library. For the past 50 years the volume has been part of the Rare Books Collection at Z. Smith Reynolds Library. It is an interesting object for students of music history. But in the absence of a large collection of related materials at Wake Forest, it has not been well known to Mendelssohn scholars. So Special Collections librarians were pleased to learn of an opportunity to contribute to a project at the Sächsische Akademie der Wissenschaften in Leipzig. This project, which began in 1959, is working to publish the complete works of Mendelssohn.

Digitization of Alexander’s Feast

In order for ZSR’s Alexander’s Feast to be included in the Leipzig Mendelssohn project, we needed to digitize the entire book. We wanted to do this in such a way that users of the digital surrogate would experience the materiality of the book—the physical organization and details—in addition to being able to read the text.

Capturing digital images of each page of Alexander’s Feast presented a familiar challenge for the Digitization Lab at ZSR. We wanted to make sure that we created a faithful digital representation of the physical object. To this end, we cropped the images of the front cover and back cover such that all four edges are visible. Additionally, we cropped the images of interior pages such that the gutter is visible on the right side for images of verso (left) pages, while the gutter is visible on the left side for images of recto (right) pages. Our goal is to provide viewers as much context about the physical object as possible within the constraints of the hardware and software that we use for digitization.

Recto and verso pages of Alexander's Feast

Recto and verso pages of Alexander’s Feast with annotations by Felix Mendelssohn.

A best practice for the digitization of special collections materials is to create both a preservation copy and an access copy. In the case of Alexander’s Feast, we created a high-resolution TIFF file of each page of the volume, including the front cover, the marbled endpapers, and the back cover. The advantage of preservation copies is that they’re flexible; they allow different kinds of access copies to be generated as the needs of viewers, as well as the constraints of the systems that present these materials to viewers, both evolve.

The access copy of Alexander’s Feast, available in our Digital Collections, is a single PDF that incorporates all of the pages of the bound musical score.

Future Uses of Alexander’s Feast

Wake Forest’s copy of Alexander’s Feast has been cataloged and available to researchers for decades, and Special Collections has provided digital files and photocopies of relevant pages to remote researchers on request. But its inclusion in the Mendelssohn project will situate the material within the context of Mendelssohn’s career and may bring the item to the attention of international researchers. If this occurs, we will be able to provide remote researchers with high-quality digital images of the book’s pages.

In addition to broadening accessibility, digitizing special collections may enable new paths of inquiry, especially in the digital humanities community. Digitizing sheet music presents tantalizing opportunities. For instance, imagine an interface that displays a moving bar indicating the place in time on the sheet music alongside an audio or video recording of a performance.

Do you have an idea for a digital humanities project that could build upon digitized music scores? Contact us!

The Old Gold and Black Now Keyword Searchable

Tuesday, February 11, 2014 2:33 pm

The following is a guest post by Corrine Luthy, a graduate intern with Wake Forest University’s Special Collections & Archives.

Searchable PDFs of some issues of Wake Forest University’s student newspaper, the Old Gold and Black, are now available!

Beginning in January, issues of the Old Gold and Black are being converted into a keyword searchable PDF format and uploaded to replace existing copies, which were not keyword searchable. What this means for users of the collection is that as new copies steadily replace old copies in the digital collection throughout this semester, they will be able to search more and more of the Old Gold and Black by keyword.

The progress of this project can be followed using the keyword searchability progress chart accessible from the Old Gold and Black collection page. The chart, pictured below, shows which issues are currently keyword searchable. As of today, issues from 1916 (when publication began) through 1931 are discoverable through a keyword search.

Keyword searchability progress chart of Old Gold & Black digital collection as of February 11, 2014

Keyword searchability progress chart of Old Gold & Black digital collection as of February 11, 2014

Perhaps you are looking for information about basketball teams throughout Wake Forest’s history, or mentions of his or her grandfather who was a student at WFU, or advertisements for Hudson-Belk Stores.  The following provides a simple outline of how to search the collection by keyword.

Searching the Old Gold and Black digital collection

Search for a term using the “Search This Collection” box on the Old Gold and Black collection page. Below is a general search for “basketball.”

Collection search box for Old Gold & Black Digital Collection

Collection search box for Old Gold & Black Digital Collection

The search returns issues of the Old Gold and Black containing the keyword for which you searched. Depending on the research mission, and because keyword searchable issues are being added by date, you may want to sort the results by issue date in ascending order.

Search results for Old Gold & Black digital collection

Search results for Old Gold & Black digital collection

From the search results page, select an item to view in more detail.

From the search results page, select an item to view in more detail

From the search results page, select an item to view in more detail

Searching within a particular issue of the Old Gold and Black

We selected the December 4, 1925 issue to view. From the item page, click the “Download” button to view an issue within your web browser or download to your PC.

From the item page, click the "Download" button to view an issue within your web browser or to download it to your PC

From the item page, click the “Download” button to view an issue within your web browser or to download it to your PC

To search for a term within that issue, press the Ctrl + F keys to open the search box of your web browser (in the top right corner of the screen).  Below, a search of the December 4, 1925 edition for “basketball” returned five results, which are highlighted within the document.  You can navigate to each instance of the word “basketball” using the up and down arrow buttons on the search box.

Keyword search within an issue of the Old Gold & Black

Keyword search within an issue of the Old Gold & Black

As always, if you have any questions about accessing this digital collection, you may contact Special Collections & University Archives.

Introducing Graduate Intern Corrine Luthy

Thursday, January 16, 2014 8:30 am

The following is a guest post by Corrine Luthy, a graduate intern with Wake Forest University’s Special Collections & Archives.

Corrine Luthy

Hi! I’m Corrine Luthy, an intern in the Special Collections and Archives department here at ZSR for the Spring 2014 semester. I am a graduate student in my second semester at the University of North Carolina at Greensboro in the Library and Information Studies program. Although there are no concentrations within the program, I have a strong interest in archives.

I have been working in ZSR’s Special Collections and Archives department since October, becoming acquainted with the equipment and the staff and gearing up for some projects I will be working on this spring. I feel fortunate to have been given the opportunity to gain this hands-on experience while earning academic credit for my work. With the guidance of Tanya Zanish-Belcher (Director of Special Collections and Archives) and Chelcie Rowell (Digital Initiatives Librarian), we identified specific projects that I will lead, and we developed learning objectives that I will complete. I am excited that at the conclusion of my internship, having led these projects and completed these learning objectives will help me to build a strong portfolio.

I earned a bachelor’s degree in English from East Carolina University. Of course, my love for the written word and information access drew me to library school. But my interest in archives comes most immediately from my work as an editor and staff writer for a small community newspaper in northeastern North Carolina before returning to graduate school. There, I witnessed the real need for a usable and organized information organization system on a regular basis. The newspaper served not only as a historical record for the community, but for ourselves as well. Working at a print publication, I also became more aware of the contrast (and sometimes tension) between print and digital formats, some of the effects of the shift from one to the other, and the need for digital preservation. These are trends that I will be fortunate enough to explore more during my time at ZSR.

The projects that I have begun working on under Chelcie’s supervision hold a special interest for me. This semester I will be working with PDF files of digitized issues of Wake Forest’s student newspaper, the Old Gold and Black, making them keyword searchable for users of the library’s digital collection. I will also be working to create a digital exhibit with materials from the Secrest Artists Series.

I’m hoping to contribute to the digital community of Wake Forest by helping the library create and improve collections that capture the spirit of the university and make its digital materials more accessible and usable. I will be documenting my progress, thoughts, and learning as a ZSR intern and MLS student on my personal blog and portfolio website, Shelf Life. Anyone interested is invited to follow along. I hope to see you around ZSR!

Digitized Reel to Reels Now Available Online!

Wednesday, August 7, 2013 9:31 am

The collection's logo

Special Collections and Archives is very excited to announce the completion of another digital project The University Archives Audio Recordings Reel to Reel Collection. You may remember some previous posts where we mentioned working on this collection. The new online digital collection is just a small selection of the larger reel to reel holdings within the University Archives. The finding aid for the collection shows to wide range of reel to reels that have yet to be digitized. Many thanks to our students for creating metadata. A very special thank you to Barry Davis for getting this into DSpace, and for being awesome in general!

Wake Forest Commencement Programs are online!

Tuesday, May 28, 2013 4:53 pm

The Special Collections and Archives department is happy to announce that the Wake Forest Commencement Programs are now digitized and available online! We took our programs to UNC-Chapel Hill to be scanned as part of the Digital NC project. These are some of the most requested items in our collection and are a great help in finding graduates’ names, who spoke at commencement, what dates commencement was on, and how many people graduated in a certain year. People can now search these programs to see what the originals look like and find the information they need. While not a complete collection, we have a bulk of the programs from the early years until present. We are excited to have this group of materials available online now to further help researchers with their inquiries.

Catalogues and Bulletins of Wake Forest are now online

Tuesday, April 10, 2012 12:22 pm

 

We are happy to announce that the Wake Forest Catalogues and Bulletins are online! Thanks to the North Carolina Digital Heritage Center for doing the scanning and to Vicki Johnson for organizing and transporting the bulletins. Varying titles and binding made this project no easy feat, but the benefits far outweigh any challenges this project may have presented. As of now, you can access the titles through the Special Collections and Archives page by clicking on the Howler Yearbooks under Popular Resources.


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