Indelible Objects: The Lynn Book Project and the Intersection of Archives and Performance
Img source: merriam-webster.com When approaching a project that aims to create a digital exhibit of an artist’s live performances, it’s important to think about where the project exists within the broader scholarly conversation on performing arts archives. Writers such as Carolyn Steedman (Dust) and Diana Taylor (The Archive and the Repertoire) have explored the role... Continue reading “Indelible Objects: The Lynn Book Project and the Intersection of Archives and Performance” ›