This article is more than 5 years old.
I had the opportunity to participate in a LYRASIS webinar last week entitled “Picture This: Introduction to Digital Imaging.” The program consisted of two sessions over the course of two days (February 9 & 10), which covered key best practices of digital imaging.
This was a great opportunity to expand my overall knowledge of digitization. I anticipated to learn some new and useful concepts that I could immediately apply to our digitization endeavors at ZSR.
Chelcie Rowell also took part in the sessions. Mary Beth Lock showed much interest in the webinar. “I’m always looking for ways that our work can overlap,” Mary Beth said. “And, this is clearly a growing area in librarianship.”But because of scheduling conflicts, she could not attend the live sessions. Fortunately the webinar furnished participants with access to the slides and both video recordings.
A few demographics of the other participants—some were from as close as Blacksburg, VA, and as far as Alberta, Canada. Their experience in digitization varied. One considered themself a novice. Another noted that they are relatively experienced, but needed a refresher.
The host was Leigh Grinstead, who has been working in the Digital Collections field since 2005. She has been with LYRASIS since 2009. When she is not hosting webinars, she consults with institutions across the nation on digital project planning.
A key takeaway covered in the first session was understanding the concept of pixels—which is generally defined as the basic element of a digital image. The amount/size of pixels within a digital image will determine the resolution and quality of the image. This lead to the discussion of pixels per inch (ppi) vs. dots per inch (dpi), bit depth, how to calculate the spatial resolution of an image (ex. 3000 pixels / 10 inches = 300ppi), and the concept of resolution threshold.
Resolution threshold is the point at which adding more pixels to an image does nothing to enhance the image, but will needlessly increase the file size due to the additional pixels. So it is important to set the proper resolution on scanners and cameras. This is a concept that really stood out to me because—like most digitization labs–having enough drive space with a continually growing digital collection is always a factor.
We were also introduced to the CDP Digital Imaging Best Practices guide for image capture, presentation and storage. This is available on the LYRASIS website, and is a great resource for individuals who are new to the digital imaging field. I like that the creators of this guide wrote it in a way that is relatively easy for newcomers to digest.
The second session lead with a great overview of tonal range (the amount of light and dark within an image). Setting the proper tonal range of a black & white image is important because it ensures all the information from the original image is captured. Leigh Grinstead demonstrated how tonal range can be determined by use of a histogram, which is commonly used in Adobe Photoshop.
In regards to color images, it was interesting to realize that there is not an industry-wide color standard when it comes to the calibration of scanners, monitors, digital cameras and printers. It varies by brand. This means that an image’s color displayed on a Mac monitor can be displayed differently on a PC monitor. Leigh Grinstead noted some solutions to this, such as including a color bar alongside the image of the digitized master file(s) when it is digitized.
I also liked how she provided images of digitization labs that are located at other academic institutions. Seeing the range of digital capture devices used in other digitization labs was insightful.
This was a very useful supplement to the training I have received from Chelcie—providing the opportunity to add to my overall knowledge of digital imaging. What I especially liked about the webinar was the interaction between the viewers and the host. She consistently kept the audience engaged by asking questions and seeking ongoing feedback from the information she provided.
It is also nice to have the ability to listen to the recordings and view the slides for future reference. I plan to refer to much of this content for the digitization of any upcoming photographs, maps, film negatives, artwork and born-digital files.
5 Comments on ‘By Far, A Cool Digital Imaging Webinar’
Ooh, I’d never heard of using a color bar to calibrate image display before, interesting! I’ll check out the guide, too, it will be helpful for future digitization projects. Thanks for sharing, Mel!
Very exciting, Mel! This overview really makes me interested to go back and review the content. Thanks!
Digital imaging & digital production is such a narrow specialization that there are few in-depth in-person professional development opportunities, so I’m really glad that a good learning opportunity arose for you so early. It was a helpful refresher for me, too! I’m glad that the timing worked out for us to participate in the webinar series together.
Really enjoyed reading about your experience!
This is great, Mel! Glad you were able to find an in-depth webinar in your area that was so useful.