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Leslie MacWeeney

Lesiie MacWeeney (b. 1936)

Leslie MacWeeney was born in Dublin to a professional family and taught by a series of governesses. She had polio as a child and spent some time alone. She enrolled in the National College of Art and also represented Ireland at the Paris Biennale in 1959 and 1961. Leslie is known in Ireland for her design of the Stations of the Cross in 1963 for Knockanure Church in County Kerry.

22 Keys of the Tarot

Leslie MacWeeney developed a connection to the Yeats family and The Cuala Press of the Yeats sisters (Lillie and Lolly) by serving as secretary to Anne Yeats (daughter of William Butler Yeats). She also assisted in cataloguing the papers of Jack Yeats, the brother of W.B. Yeats and his sisters.

A Wexford Carol

Leslie MacWeeney began working with the Dolmen Press in 1954 with the printing of The Wexford Carol in The Dolmen Chapbook. She was given a studio in the home of Liam and Josephine Miller in Dublin and did much work there both privately and for the Dolmen Press. Leslie MacWeeney illustrated a number of books for the Dolmen Press during her time in Ireland.

Those titles are:

  • A Wexford Carol (1954) in The Dolmen Chapbook, ed. By Liam Miller
  • The Loves of Bregog and Mulla by Edward Spenser (1956) in The Dolmen Chapbook, ed. By Liam Miller
  • The Genealogy and Nativity of Christ with the Offering of the Wise Men (1955)
  • The Thoughts of Wi Wong by Arland Ussher (1956)
  • The XXII Keys of the Tarot by Arland Ussher (1957)
  • The Easter Proclamation of the Irish Republic (1960)
  • A Warning to Conquerors by Donagh MacDonagh (1968)

Ballad of Jane Shore

In 1960, MacWeeney helped found The Graphic Studio Dublin along with Patrick Hickey, Elizabeth Rivers, Liam Miller and Anne Yeats. The Graphic Studio was for these serious artists to develop and pursue their own work. Each year, at Christmas, the artists would produce a Christmas portfolio which was sold to fund this organization. The Graphic studio still exists today.

Loves of Bregog and Mulla

Founding community art organizations became a theme in Leslie’s life, as she relocated to the US in 1972 and founded two in the Boston area. In 1997, MacWeeney helped found DOT Art in Dorchester, Massachusetts, a community art organization which helped inner city youth create art and self-esteem. “People have no idea they have this ability to create. And then they do amazing things and their own self-esteem is just whizzed up.”

MacWeeney has also started another community arts organization called Living Art. In this organization, teens from surrounding neighborhoods paint full size portraits of police officers, firefighters, EMTs and veterans using doors instead of canvasses. The process of painting portraits of these citizens encourages empathy and new understandings of each other’s worlds.

Works consulted

  • Lalor, Brian. Ink-Stained hands: Graphic Studio Dublin and the Origins of Fine Art Printmaking in Ireland. Dublin: The Lilliput Press (2011).
  • NIVAL – National Irish visual Arts Library: http://www.nival.ie/collections/artists-database/view/artist/name/macweeney-leslie/
  • Redshaw, Thomas Dillon. ‘The Dolmen Poets’: Liam Miller and Poetry Publishing in Ireland, 1951–1961 Irish University Review, 42.1 (2012).
  • Rogers, Jenni, Elizabeth Mayes and Wanda Ryan-Smolin. Irish Women Artists From the Eighteenth Century to the Present Day. Dublin: National Gallery of Ireland (1987).